Media Studies - Moulin Rouge
Baz Lurhman describes Moulin Rouge as Audience Participation Cinema. With close
reference to the opening of the film, examine the techniques
he uses to remind us that we are watching a word-painting
Moulin Rouge is a fanciful, feast for the eyes, provocative display of raw emotions, seduction, titillation and lost love. The contrived plot recounts a witty love study, revealing the tale of the meant to be to puddleher yet condemned lovers. Christian, the good, pathetic but sincere poet and Satine, the famous courtesan who dances shamelessly at the decadent night club known as the Moulin Rouge, astray known as the most beautiful woman in Paris, and thus addressed as the Sparkling Diamond. Moulin Rouge collaborates the factors of a musical as the characters frequently burst into song, telling their story through music and celebrates popular music which shapes our emotions and memories whilst enraptured, watching the film.
When creating Moulin Rouge the director, Baz Lurhman, had some aims for the film that were necessary to accomplish the final effects of this howling(a) movie.![]()
These specific aims included re-creating the Moulin Rouge as it was known at the turn of the 20th Century, complete with the exotic, glamour and eroticism associated with it, treasure as A kingdom of night time pleasures, where the easy and powerful come to play with the young and beautiful creatures of the hellhole, a place where identities could be shed and people could re-invent themselves.. The ceaseless theme of love was portrayed as the thing that could bug outstrip all obstacles until death would finally tear the star-crossed lovers apart. Lurhman wanted to coil the different elements of love, comedy, tragedy and romance, permitting him to make the audience laugh out loud one minute, and cry the next, managing to mix opposite...
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