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The meth Menagerie: Plight of the Wingfields In Tennessee Williams: A enactment in Laughter and Lamentation, Harry Rasky uses extensive interviews with Williams to explore the playwrights intent. Through these interviews, Rasky presents a glimpse of the playwrights life-world and the driving force behind his creations. Rasky reports Williams as saying: I have always been more interested in creating a character that contains something crippled. I think nearly all of us have some kind of defect, anyway, and I suppose I have found it easier to identify with the characters who verge on hysteria, who were panicky of life, who were desperate to reach out to another person (134).

This teaching supports the idea that Williams incorporates something crippled into all his major characters. In The Glass Menagerie, Tennessee Williams portrays a crippling mother and child relationship comprising positive themes of dysfunctionalism. He poignantly illustrates that none of the characters are capable of reinforcement in the present. They believe their functionality and lifes happiness lies in their repeated quests for hedge from plight. As such, they retreat into their separate worlds to get off lifes brutalities.

Their daily tribulations thrive in an overcrowded constructions rear apartment where lower middle-class universe of discourse is a symptomatic impulse of a large and basically enslaved section in American society. Set in Depression-era St.



Louis, the controlling Southern ex-charmer, Amanda Wingfield is the de facto head of the household. A former Southern belle, Amanda is a single mother who behaves as though she still is the juicy school beauty queen. Williams still-resonant study reveals her desperate struggle with the forces of indispensability against her dysfunctional relationship that looms and grows among her adult children. (Gist) Laura, Amanda, Tom, and Jim resort to various escape mechanisms to avoid reality. Laura, fearful of being denigrated as inferior by virtue of her innate...

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