Critical review on Rob Marshall's musical, Chicago starring Catherine Zeta Jones and Richard Gere

gelt Title: Chicago Venue: Alice Springs Cinema assignment: Tuesday 25th February Directed by: Rob Marsh all. pen by: metre Condon; from the musical by John Kander, Fred ebb out and Bob Fosse Based on: The play by Maurine Dallas Watkins The chief(prenominal) reason why Chicago is such an challenge film is the right smart that everything is aesthetically loving and the charge that its very easy to just sit rear and grab everything happen before you, from the music to the sets and costumes and even the ordinarily cringe Hollywood murder scenes are just a delectation listen and view. The sets in Chicago crack up you a feeling that you really are in the 1920s and this goes hand in hand with the costumes, which feed off each other to cave in you this feeling. The set for the nightclub really grabbed my attention as it gave the sodding(a) airwave of a venue of that time would feel, with the cool, sexiness that the installing of breaking wind is associated with. The only thing that I would be possessed of ilk to have seen would be rough shots of the actual city or some of its famous locations.

Arguably the best thing that I found in Chicago was the music, apart from the great origin that the stars did of the main songs, there was the background music, which, superb within itself and believably worthy of its own album, held the movie together in what seemed bid a seamless concoction of great spiel non insufficiencying to part with for anyone and if it wasnt for the actors and their lines and songs, I dont think it would. All the song-and-dance numbers (excluding all that jazz and the finale) in the film are performed as a part of Roxies ima gination, which is a greatly unique way of i! ncorporating the performances... If you want to get a full essay, order it on our website: OrderEssay.net

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