Monday, February 10, 2014

Paul Simon's Sounds Of Silence

Paul Simons Sounds of shut up         I chose the song Sounds of Silence because I admire Paul Simons lyrics and I conceive this is angiotensin-converting enzyme of his best songs in terms of its poetic quality. The song is precise haunting: its lyrics stir you and leave you feeling as though youve heard and witnessed something profound. Though I struggle with trying to realise much of it, I enjoy trying it figure it out.         An analysis of this song must begin with the very first line. The adress, hello darkness, is an apostrophe as darkness is non human. However, the author immediately states that he has practise to converse with darkness, the first of many events of personification. Perhaps this hope to let out to darkness is an expression of the l atomic number 53liness that the piece is feeling, the good moxie of desperation. As the stanza continues, the role acknowledges that a vision has come to him in his sleep and position seeds in his brain. These lines contain many figures of speech, including personification, inquiry rhyme (seeds while I was quiescency), assonance (seeds, sleeping), and symbolism. The seeds epitomize a dream or an inspiration the persona has had, something that formerly planted will stay with him instead of disappearing when he wakes. Thus this vision is a fable for an truehearted belief. Finally, the pop off line of this stanza contains some(prenominal) alliteration, in the cognomen course, sounds of silence, and a enigma as obviously silence does non coif a sound.         The second stanza contains more personification with the fundament of the northeast fainthearted that stabs eyeball, splits night, and touches silence. In the second line, the author provides an recitation of assonance with the broad o sound in both compact and cobblestone. Furthermore, the narrow cobblestone lanes and the halo- wish fountainhead street lamp are excellent examples of imagery as they bo! th rouge a picture of this persona walking alone finished dark streets.         The third stanza is one of the close puzzling. Along with the ever-present personification, the author also gives us a prime example of irony in his lines concerning people who talk simply do not speak, people who hear but do not listen. Why theses people do not do these things is not clear, though it seems to be a denotation of frustration for the persona. It is primal to take notice of the personas frustration, whatever it is that was planted in his brain and that stabbed him in the eyes is only seen by him. This recognition that he has been so felicitous to understand is his alone, which seems to make this song shape up as one just about ignorance and what it does to people.         The fourth stanza carries this idea even only as the persona calls these people fools for not realizing whatever it is that he obviously has. He tells them if they do not start s ermon , listening, and sharing with one another, the silence(ignorance) will only grow like a cancer. The surface of silence, I believe, are a metaphor for the deaf ears that his lyric poem are falling on.         Finally, the last stanza makes on last pleas for the carnal ones to hear the plea of the persona. in so far, they refuses to listen, bowing and praying to their neon god. The sign functions as a symbol as well strugglening the people of their impending doom which the prophets have pen on the subways walls and tenement halls. The words on these walls obviously war one to speak up, listen, and share. Yet as Simon points out, we are not heeding the message, for it is only a utter in the If you want to accomplish a full essay, differentiate it on our website: OrderEssay.net

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