Sandra Cisnero's "The Monkey Garden"

The longish she played in the garden, the more mysterious it became. She recalls, "Bit by bit, after the scamp left, the garden began to take over itself" (386). Flowers began to ignore the guidelines they had in one case been set upn, put away cars began to sprout like mushrooms, rumors began to grow. She remembers some of the stories the garden inspired: " in that location beneath the roots of soggy flowers were the bvirtuosos of murdered pirates and dinosaurs, the affection of a unicorn glum to coal" (387). The garden provided the fertile res publica that grew the narrator's first fanciful stories. The garden may have been what turned her into a writer.

Yet the garden also began the process of bout her into a woman. She remembers the confusing, disturbing final day she spent there, the expiry day when she was truly a child. From this moment, adolescence began, and childhood was no longer a comfortable place to be,

The moment came when she realized that she was a girl and that she had more in common with the silly, giggling Sally, "who screamed if she got her stockings muddy" (387), than with the boys who had been her companions for games of screen and seek. She watches Sally beginning a new game with Tito and his friends, one in which they invented the rules. Sally and the boys went into the garden so that Sally could give each a kiss in order to stun her keys back, and "I don't know why, further something inside me wanted to devise a stick" (387).

he runs up to Tito's apartment to get help from grownups, but the state who once showed her how to get rid of the itch from the weeds atomic number 18 no longer able to help. They are not in time interested.

Throughout, Cisneros captures the unquestioning wonder and mystery of childhood, as well as the disorder and chaos that are the inevitable parts of maturation up. Her extravagant descriptions of the garden give the place a look and personality all its own. The little girl and her playmates are so caught up in exploring and inventing that they are happily unaware of themselves.

unable to do anything by herself, she seeks refuge in the garden that has endlessly been able to provide it. For the first time, the garden is no help. It allow for not even accept the gift of her life, no issuing how desperately she wishes she would simply die. This will be her last avenge to the monkey garden. Childhood no longer is a refuge, but instead offers simply confusion and discomfort and unfamiliarity. She prepares to leave, realizing, "the garden that had been much(prenominal) a good place to play didn't seem mine either" (388).

Cisneros reminds her lectors of the monkey garden that every child once had to explore and lost in growing up. Her story makes the reader want to throw sticks an
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