garages and cotton fiber gins had encroached and blotted out even the august names of that neighborhood; and only Miss Emily's house was go away, lifting its stubborn and coquettish decay above the cotton wagons and gasoline pumps an eyesore among eyesores (Faulkner 148).
Miss Emily is as stubborn in her refusal to charter the changing environment all around her.
Miss Emily has evolved into a relic of the past; an individual who freighternot exist without her illusions that the past focusing of living and even people from it have passed away and travel on. She informs people after her father dies that he is not dead. She as well has discussions about deceased individuals to others as if they were still alive. Refusing to accept her revenue enhancement predicament a
In conclusion, we can see that when an individual is unwilling or lacks the psychological capableness to let go of the past that is no more, they often can up displaced from reality, others and even the self.
Miss Emily's displacement is so ingrained that she represses all attempts to allow reality to enter. Her efforts to repress the inevitable stupor of time and change have manifested themselves in behavior that is primitive and homicidal. This theme demonstrates that when times change from one generation to the next, thither are often individuals whose humanity gets crushed in the transition.
nd a time when she had an easier life, Miss Emily tells her visitors to talk to Colonel Sartoris, dead for a decade, "See Colonel Sartoris...I have no taxes in Jefferson" (Faulkner 150).
Faulkner, W. "A rose for Emily", 148-155.
The body had apparently once lain in the attitude of an embrace, unless now the long sleep that outlasts love, that conquers even the grimace of love, had cuckolded him. What was left of him, rotted beneath what was left of the n
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